Dumble-war: Michael Gambon vs Richard Harris
I contend that, in the Harry Potter film adaptations, Michael Gambon is a superior Albus Dumbledore to Richard Harris. HOWEVER. This is a controversial matter.
Dumbledore, the headmaster of Hogwarts in the Harry Potter series (except in the last book, because he died in Half-Blood Prince) (spoiler alert!), is pretty much the only major character to be portrayed by different actors in the films1. Sadly, Harris died after filming Chamber of Secrets, and since it’s not like they could’ve written Dumbledore out, he was replaced by Gambon.
What I like best about Gambon’s Dumbledore is his impishness. In Prisoner of Azkaban, Gambon’s first outing in the role, Dumbledore basically orchestrates Sirius’s freedom and Buckbeak’s survival by handing the Time Turner over to Harry and Hermione. “We did it!” Harry exclaims after the mission is successfully completed. “Did what?” Dumbledore asks, the picture of innocence. Gambon’s delivery of the line is perfection – his Dumbledore has more mystery and mischief than the straight-up kindly paternalism of Harris’s.
Gambon’s Dumbledore also has more style (as noted in Order of the Phoenix by Kingsley Shacklebolt, one of the series’ few black – and therefore cool – characters) and, more importantly, more power. Though we’ll never know, I have difficulty imagining Harris’s Dumbledore locked in combat with Voldemort in the Ministry of Magic, or conjuring a swirling vortex of fire to combat a mass of Inferi in the seaside cave.
Early in the Harry Potter series – both the books and the films – Dumbledore is portrayed as an all-powerful, benevolent wizard. Harris’s Dumbledore knows everything and can do everything, and Harry is right to trust him completely.
It’s not till later that Dumbledore becomes more nuanced. In Goblet of Fire he makes his first major fuck-up: failing to realise that the real Mad-Eye Moody has been replaced by Barty Crouch Jr. In Order of the Phoenix he makes another grave error when he chooses to distance himself from Harry and the boy’s mental connection to Voldemort, instead entrusting the guarding of Harry’s mind to his nemesis Snape. (Like, seriously, Albus. WTF were you thinking.) And of course in Deathly Hallows we discover Dumbledore’s dark past: his dabbling in the dark arts, the hours and hours he spent shagging Grindelwald when they were teenagers and his involvement in the death of his sister.
Dumbledore becomes a more unlikeable character, on the surface, but he also becomes darker and more complex – which, paradoxically, makes him more appealing. Gambon benefits greatly from getting to portray this richer Dumbledore, which is probably why I like and prefer him over Harris.
Who, by the way, was not a bad Dumbledore. He was a great Dumbledore (his read of the “Alas, earwax” line was spot-on). He just wasn’t as great as Gambon.
Of course, neither Gambon nor Harris is as lively as the Dumbledore in the books – and that’s fine. Film characters are rarely as good as their book counterparts. That’s just the nature of the two mediums. They both did good work; one of them just did it better.
- the only other one is Voldemort, and that’s if you count the face in the back of Professor Quirrell’s head [↩]
Tags: Albus Dumbledore, Harry Potter, Harry Potter and the Chamber of Secrets, Harry Potter and the Deathly Hallows, Harry Potter and the Half-Blood Prince, Harry Potter and the Philosopher's Stone, Harry Potter and the Prisoner of Azkaban, Hogwarts, magic, Michael Gambon, Richard Harris, wizards


